• Band Tour Dates (Soundwave Festival)
  

When Anberlin signed to Tooth & Nail Records in the summer of 2002, you could almost see the stars in their eyes. Though wide-eyed awe generally accompanies a brand new, blooming band upon being given a major green light to their prospective career, there was something so instantly captivating about these Florida boys that immediately made believers of their biggest skeptics.

In today’s instantly downloadable and quickly consumed culture, bands like Anberlin are a dying breed. Over the course of six years and four full-lengths (including last year’s B-side compilation Lost Songs), the band have established themselves as one of alternative rock’s most exciting acts and as a band who refuse to limit themselves to one specific scene or sound... and it’s paid off.

This control of dynamics has embodied Anberlin’s music since their 2003 debut Blueprints For The Black Market which instantly caught on with fans of emotional music who didn’t want to be fed the same musical clichés—oh, and touring alongside acts like Fall Out Boy and My Chemical Romance to support that album didn’t hurt either. After playing literally hundreds of shows and growing as both musicians and people the band released their sophomore album Never Take Friendship Personal in 2005. Markedly more mature both musically and lyrically, that album established Anberlin as more than another underground sensation and showed that there was no limit to what the band could achieve. This same trend was evident with last year’s mainstream breakthrough Cities, which showed the band progressing even more and expanding their musical vision exponentially.

All this brings us to New Surrender. Although the album retains the Anberlin sound that fans have grown to love, in many ways it’s also an album of firsts that marks the next chapter in the band’s illustrious history. For example, after working for years exclusively with longtime producer/friend Aaron Sprinkle this time around the band decided to enlist legendary producer Neal Avron (Fall Out Boy, Yellowcard, New Found Glory) to capture their sound. Additionally, after selling 435,000 albums on the well-respected indie label Tooth And Nail, with New Surrender the band decided it was finally time for them to step up to a major label—and although they had been courted by various majors for years, the band decided to go with Universal Republic. “At Tooth And Nail there was a glass ceiling and there was no way to get our music out to all the people we wanted to reach,” Christian explains when asked about the band’s decision to change labels. “To us, Universal Republic represents a sense of stability in this turbulent era for music: The staff is going nowhere, the label is here to stay and they have proven time and time again that they can take bands to the people—and that is where we belong... among the people.”

New Surrender is also the first Anberlin album to work the band’s well-documented humanitarian efforts into the lyrics, which have included going to Kenya to teach about AIDS prevention or traveling to Calcutta, India, to educate the masses about the danger of human trafficking. “I live in Los Angeles now, so I wrote a song about homelessness because that’s something that’s so prevalent in my life,” Christian elaborates. “There’s also about another song about living unselfishly and the lyrics say, “’I want to live and die for someone else / the more I live, I see life isn’t about me,’” he adds. “I’m really excited that we’ve got to the level lyrically where our fans don’t listen to Anberlin for just the basic, ‘Oh girl, I want to hold your hand,” he says, noting that the supportive nature of Anberlin’s fans gave him artistic license to challenge himself and take his own writing to the next level this time around.